![]() Speaking to Beats 1 host Zane Lowe about 2019’s Hurts 2B Human, she described the album’s title track in classic P!nk fashion-welcoming, human, but with an edge: “Everybody is going through something. In 2012, The Truth About Love marked another career high, tackling marriage, parenthood and the heft of Real Adult Emotions with a frankness that was funny, touching and refreshingly unsentimental (“It’s whispered by the angels’ lips,” she sang on the title track, “and it can turn you into a son of a bitch”). (Check out her performance of “Sober” at the 2009 VMAs for proof.) She also set new standards as a live act, incorporating aerial dance and acrobatics into her extravagant stage shows. President” or “Who Knew”-who could be a punk one minute and an embracing, almost maternal comfort the next. While her attitude was central to her appeal-whether she was tilting towards rock on 2003’s Try This or tipping back to dance on 2006’s I’m Not Dead-what really set her apart was her versatility: It was hard to imagine another singer capable of tackling something as bitterly sarcastic as “I Got Money Now” (“You don’t have to like me anymore/I’ve got money now”) and then shifting, with total credibility, to “Dear Mr. ![]() That style paved the way for artists like Halsey, Kesha and just about every other major female pop star in her wake. A year later, she released M!ssundaztood, a leap forward both artistically and commercially, bridging the immediacy of club pop with songs that were confessional, genuine, frustrated and raw (“Family Portrait”, “Just Like a Pill”). After the demise of her first group, Choice, which was briefly signed to LaFace Records, P!nk released her 2000 debut, Can’t Take Me Home, co-writing more than half the album’s tracks. ![]() Pink” character in the Quentin Tarantino film Reservoir Dogs: quippy, edgy, ready for trouble. She started performing in clubs as a teenager, taking her name from Steve Buscemi’s "Mr. As a girl, P!nk (born Alecia Beth Moore in Doylestown, Pennsylvania, in 1979) loved Madonna and Janis Joplin, and tried her hand at opera, show tunes and punk rock. “She’s so pretty/That just ain’t me.” Even as she rose in fame, she retained the whiff of an outsider-someone too frank, too unapologetic, too real for the show: not an icon, but a human being. ![]() From the start, P!nk made it her business to be different: “Tired of being compared to damn Britney Spears,” she sang on 2001’s “Don’t Let Me Get Me". ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |